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Unknown
First published: July 1, 2024 - Last updated: July 1, 2024
TITLE INFORMATION
Author: Anna Nygren
Title: Narrating Rape as a Collective Trauma
Subtitle: Collectivity, Dialogism and Heteroglossia in Monika Fagerholm’s Vem dödade bambi?
Journal: Scandinavica: An International Journal of Scandinavian Studies
Volume: 63
Issue: 1
Year: 2024
Pages: 32 pages (PDF)
ISSN: -
Find a Library: WorldCat |
eISSN: 2754-0804 -
Find a Library: WorldCat
Language: English
Keywords:
Modern History:
21st Century |
European History:
Finnish History |
Cases:
Fictional Offenders /
Gusten Grippe,
Nathan Häggert;
Cases:
Fictional Victims /
Sascha Anckar;
Types:
Rape /
Gang Rape;
Offenders:
Age and Gender /
Male Adolescents;
Victims:
Age and Gender /
Female Adolescents;
Representations:
Literary Texts /
Monika Fagerholm
FULL TEXT
Link:
Scandinavica (Free Access)
ADDITIONAL INFORMATION
Author:
Anna Nygren,
Faculty of Arts, Psychology and Theology,
Åbo Akademi -
ResearchGate
Abstract:
»This article analyses Finland-Swedish Monika Fagerholm’s novel Vem dödade bambi? [Who killed bambi? my transl.] (2019) as a postmodern, fragmented story where rape is narrated as a collective trauma. In Trauma Studies, collective traumas are studied in conjunction with either the Holocaust (Fareld 2010, Laub 1992) or colonialism (Forter 2014), while the trauma of sexual violence is considered an individual trauma (Brown 1995, Caruth 1996, Tal 1996). Contrary to this, in Fagerholm’s novel, collectivity – both as theme and as form – permeates the novel on at least three levels: Firstly, as a trauma involving a whole small-town community, secondly as subjects constituted by their collectivity, and thirdly on a stylistic level through the use of intertextuality, fragments, dialogism, and heteroglossia.
In order to analyse how such a collectivity works in Fagerholm’s rape narrative I turn to Michail Baktin’s narratological concepts dialogism, how the novel as a narrative format consists of several voices; and heteroglossia, the idea of language a process consisting of multiple layers and different narrative positions, combining future and former languages (Bakhtin 1981) as well as to Kristian Shaw’s and Sara Upstone’s use of the feminist narratological term transglossic, how multiple layers in a novel becomes meaningful in that they offer alternatives to established storylines, and the political aspects of such an approach to narrativity (2021). The article shows that rape is narrated as collective on three different levels in Fagerholm’s novel: the collectivity of the small-town community, collectivity within individuals, and collective stylistics. Rape is narrated via Fagerholm’s fragmented style, and this results in a complex narrative structure that reveals how language is part of the collective structures that make rape possible.«
(Source: Scandinavica)
Contents:
|
Abstract (p. 1) |
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Previous views on collectivity in the works of Fagerholm (p. 6) |
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Collectivity through the concepts of dialogism and heteroglossia (p. 8) |
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Groups as collectives, naming and trauma (p. 9) |
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The individual as a collective (p. 19) |
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Collective language practices, public rape and transglossic understandings of texts (p. 23) |
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Conclusion (p. 27) |
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Bibliography (p. 29) |
Wikipedia:
History of Europe:
History of Finland |
Literature:
Finnish literature /
Monika Fagerholm |
Literature:
Novels about rape |
Sex and the law:
Rape /
Sexual violence in Finland
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